{"id":16,"date":"2019-02-05T14:03:00","date_gmt":"2019-02-05T14:03:00","guid":{"rendered":"https:\/\/sarahgildea.com\/blog\/?page_id=16"},"modified":"2020-06-08T12:47:11","modified_gmt":"2020-06-08T12:47:11","slug":"michelangelo-how-understood-then-and-now","status":"publish","type":"post","link":"https:\/\/sarahgildea.com\/blog\/michelangelo-how-understood-then-and-now\/","title":{"rendered":"Michelangelo, Then and Now"},"content":{"rendered":"
There is only a few specialists in Renaissance studies today take seriously the theology of the Renaissance or the work of Michelangelo. Most writers want you to believe their fairy tail \u2018pagan\u2019 Renaissance, but this is merely a\u00a0creation<\/em>\u00a0of 18th century historians.<\/p>\n Why should we care?\u00a0<\/em>If we want to understand what is going on in a painting by Michelangelo or anyone else, we need to know what principles they held \u2013 what did they believe?<\/p>\n <\/a>Saintly face, Perugino.<\/p>\n Saints were painted pretty to show their Sanctifying Grace; sinners were painted ugly to express their inner spiritual state. Catholic theology of the 15th and 16th<\/sup>\u00a0centuries relied mainly on St. Thomas Aquinas and the Dominicans. The Dominicans were everywhere; they\u00a0were artists like Fra Angelico, and they were doctors. They were scientists \u2013 and they were theologians, like Savonarola.<\/p>\n <\/a>Savonarola, Michelangelo knew his work.<\/p>\n Many people were convinced at this time that the end of the world was at hand: St. Vincent Ferrer preached it in France. Savonarola did all he could to convince his followers to change their lives, repent from sin, the end is at hand! Michelangelo was a fan of Savonarola, and quoted him 50 years after his death.<\/p>\n Well read and a fair theologian, Michelangelo was also an artist, and thought, wrote and acted as an artist. There is a famous story of someone who had asked him how he got such beautiful statues from a huge block of stone. He responded with something like, \u201cI just imagine the image that is in there, and chip away at the rest!\u201d.<\/p>\n <\/a><\/p>\n Michelangelo was not a Platonist! He simply spoke the way an artist would speak. \u2018Here is a fan, he must be entertained, let me say something witty that does not reveal the true nature of my work!\u2019<\/p>\n Michelangelo, like Raphael, were both forgotten after their deaths. He, more than Raphael, because much of his work is more confined to architecture or is simply otherwise unmovable.<\/p>\n <\/a>Johann Joachim Winckelmann<\/p>\n In the 1700\u2019s we begin to see a dramatic change in the way art and artists were portrayed. Critics\u00a0started ransacking the ancient stories to find examples of \u2018noble virtue\u2019 in the pagan world.\u00a0Johann Joachim Winckelmann (1717-1768), converted to the Catholic faith to be placed in charge of the antiquities of the Vatican museums. His conversion wasn\u2019t sincere; we know from his personal letters that he only converted to get into the collection. He was homosexual, and couldn\u2019t see anything good coming from the Catholic Church \u2013 art or otherwise.<\/p>\nMichelangelo, the Theologian<\/h2>\n
Dramatic Changes in the 1700’s<\/h2>\n